![]() ![]() Filmmakers have not been left behind in the app frenzy. Most apps are very affordable, if not dirt cheap or free. ![]() IPhone apps exist in many flavors, everything from simple games to complex software for professional task. This is not counting a vast amount of web based applications, over 1700 alone registered with Apple. At the current growth rate this number could top 10 0,000 by the end of the year. Currently there is over 65,000 official applications available at iTunes for the iPhone. The uses for this mini computer are growing everyday. It is expected that Apple will have sold 80 million iPhones by 2012. One of the hottest commodities on the market today is the iPhone and iPod Touch. Derrick Faw, a professional photographer and videographer living in Paris, France compiled the newest list of iPhone and iPod apps for the filmmaker on his website World Wide Angle. Well, I have to say that the time is now, the iPhone and the iPod Touch are the Swiss Army Knife for the Cinematographer. In my original posts about the apps, I said the iPhone and iPod may soon become the Swiss Army Knife for the Cinematographer. The Wednesday evening showcase was a success filling the Samuel Goldwyn Theater in Beverly Hills almost to capacity with over 800 filmmakers, cinematographers, producers, students, members of A.M.P.A.S and film buffs of all ages. “Behind the Motion Picture Canvas” examined the role that emerging technology has played in the evolution of film formats, and how the technical choices made by Thomas Edison and William Dickson at the dawn of the film era continue to influence the way we look at movies today. Join Science and Technology Council member Rob Hummel for an illustrated lecture that traces the history of motion picture formats from the silent era through the 21st century. The motion picture aspect ratio isn’t just a frame for the picture in the hands of an accomplished filmmaker, the aspect ratio can have a significant influence on the storytelling process. “Cinema is a matter of what’s in the frame and what’s out.” – Martin Scors ese Continuing with screenings of “ Manhattan” and “T he Black Stallion” on September 10 and 11at the Samuel Goldwyn Theater in Beverly Hills. The 4/3-type 1 2.1-megapixel Live MOS sensor featured in the DMC-GH1 is able to offer the best of both worlds - the superior image quality of a full-frame CCD sensor, and the lower power consumption of a CMOS sensor. The panel was composed by leading cinematographers, digital SLR experts and industry representatives as they elaborated in the technical pros and cons (read prior posting CMOS VS CCD) of this new variant of the CMOS video chip technology encased in a SLR still camera, specifically the Panasonic Lumix GH1 featuring full HD movie recording in AVCHD and using ν (nu) Maicovicon technologies. ![]() PicturedĪbove with Martha Winterhalter, Publisher of AmericanĪnother seminar that was very informative was " Digital Still Camera as a Tool for the Cinematographer" presented by the Digital Cinema Society. Starred by Jane Seymour and Christopher Reeves. Photographed by Mankosfky, and directed by Jeanot Swarc. The making of the cult masterpiece "Somewhere in Time" Seminar and shared with the audience his experience about Isadore Mankosfky, ASC was also part of the Master Lighting ![]()
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